
Michael HansonPh.D. in Sociology, University of California, Berkeley, 2002
Popular Music; Race, Representation and the Media; Black Cultural Politics; Race and Racism; Sport; Afrofuturism; Cultural Theory
Soulsonic Forces: Aural Cartographies of Post Civil Rights Black Political Culture (book manuscript in preparation)
“Twoness: The Mixed Raced Black Body in Scopic Regimes,” Body & Society (forthcoming).
“Suppose James Brown Read Fanon: The Black Arts Movement, Cultural Nationalism and the Failure of Popular Musical Praxis” Popular Music (v 27:3 Fall 2008).
“I’m A Brother, But Sometimes I Don’t Feel Black: Thug-Nerds, Rap-Geeks, and the Risky Black Masculine” in Amber Wallace and Anna Everett (eds) AfroGEEKS: From Technophobia to Technophilia (Santa Barbara: Center of Black Studies/Ford Foundation, 2006).
“Asphalt Stages: Street Basketball and the Performance of Blackness” in Ruth Simms Hamilton (ed) Routes of Passage: Rethinking the African Diaspora (East Lansing: Michigan State University Press, 2006).
CoursesRace and Racism
The Cultural Politics of Sport
Popular Music, Social Practice and Cultural Politics
Popular Culture: Poetics, Politics, Practices
Race and Representation
Black Popular Music
Race and Racism (Graduate Seminar)
The Cultural Politics of Music and Sound (Graduate Seminar)
Cultural Theory (Graduate Seminar)
Department of Communication
University of California San Diego
9500 Gilman Drive
La Jolla
CA 92093-0503
Phone: (858) 534.4410
Fax: (858) 534.7315