
- ethill@ucsd.edu
- (858) 822-2239
-
9500 Gilman Dr
Office: MCC 241
La Jolla , California 92093
Assistant Professor of Media and Popular Culture: Affiliated Faculty in Critical Gender Studies, Film Studies, Black Diaspora and African American Studies Major
Erin Hill worked in film development in New York and Los Angeles before undertaking study of the media industry. Her primary interest is in historical and contemporary media production in the United States, with particular focus on intersecting issues of gender, race and class in creative labor sectors. Her first book, Never Done: A History of Women's Work in Media Production (Rutgers UP, 2016), examines the role of feminized labor in U.S. film and television production from the 1890s to the present and draws connections to the ongoing struggles of women and people of color in integrating key creative fields in contemporary Hollywood. Hill’s current research investigates the development sector, where projects are scripted, financed and planned. She continues freelance development work for Summit Entertainment, a division of Lionsgate.
Dr. Hill teaches courses on American film history, history of broadcasting, feminist production history, media industry labor, contemporary Hollywood business practices, and race, gender and labor in media production, cultures of production in creative industries, science fiction films, comedy on TV/in media, and media theory. Prior to her tenure at UCSD, she taught as contingent (aka “adjunct) faculty at various Southern California institutions, including UCLA, Occidental College, Santa Monica College, and CSU Long Beach, gaining experience in both pedagogy and labor precarity.
Media Industry Studies, Media Studies, Gender Studies, Labor Studies, Cultural Studies Feminist Film Historiography, US Media Film and TV Industries, Contemporary and Historical Production Cultures, Identity in Creative Labor Sectors, Creative Collaboration, Media Production, Film Development, Below the Line Labor Sectors, Feminization and Racialization of Labor, Equity, Inclusion and Labor Justice, Classical Hollywood, Women Film Pioneers, History of Broadcasting Science Fiction, Comedy, Television Authorship, TV Writing, Film Adaptation
Ph.D. (December 2013). UCLA, Cinema and Media Studies.
Qualifying exam specializations: Contemporary Film and Media Theory, Historiography
Dissertation: “Women’s Work”: Feminization in Media Production
M.A. (2006). UCLA, Cinema and Media Studies.
B.A. with distinction (1999). University of Michigan, Film/Video Studies & Theatre and Drama.
SCMS Best First Book Award – Society for Cinema and Media Studies, 2018
SCMS Dissertation Award – Society for Cinema and Media Studies, 2015
Marshal Nominee, Graduate Doctoral Hooding Ceremony – UCLA Graduate Division, 2014
Dissertation Year Fellowship – UCLA Graduate Division, 2012-2013
Collegium of University Teaching Fellowship – UCLA Instructional Development, 2011-2012
Jean Stone Dissertation Research Fellowship – UCLA Center for the Study of Women, 2010
Regent’s Stipend – UCLA Center for the Study of Women, 2009
Chancellor’s Prize – UCLA Graduate Division, 2006- 2008
University Fellowship – UCLA Program in Cinema and Media Studies, 2005-2008
Nina Leibman Fellowship – California Women’s Law Center, 2007
Alice Glover Filmmaking Grant – University of Michigan, Film/Video Studies, 1999
Newman Screenwriting Prize – University of Michigan, Hopwood Awards, 1999
Steiner, Lauren. “Review: Never Done: A History of Women’s Work in Media Production by Erin Hill.” Journal of Cinema and Media Studies (previously Cinema Journal) 58.3, (Spring 2019).
Clarke, Liz. “Review Essay: Recent Works on Women in Media Production.” Gender and History 30.3 (October 2018). https://onlinelibrary.wiley.com/doi/10.1111/1468-0424.12408
Salzburg, Anna. “Book Review: Hill, Erin. Never Done: A History of Women’s Work in Media Production,” Media Industries 5.1 (2018). https://quod.lib.umich.edu/m/mij/15031809.0005.109/--book-review-never-done-a-history-of-womens-work-in-media?rgn=main;view=fulltext.
Martindale, Michelle. “Review of Hill, Erin, Never Done: A History of Women's Work in Media Production.” Jhistory, H-Net Reviews. (October, 2017), https://networks.h-net.org/node/14542/reviews/564657/martindale-hill-never-done-history-womens-work-media-production.
Fulton, Maxfield. “Review of Never Done: A History of Women’s Work in Media Production.” Film Quarterly (Spring, 2016). http://fq.ucpress.edu/content/70/3/101.
CNN/Cream Productions, The Story of Late Night, on-camera interview by John Ealer (July 2021).
Cara, Sergio. “Se buscan superheroinas: Estudio sobre la representacion de la mujer en ciencia ficcion.” Ya - El Mercurio (December 11, 2018) 30-34.
Schubert, Abbey. “Hollywood is Ignoring Women over 45 and These Experts Know Why.” Mic.com, (July 31, 2017). https://mic.com/articles/183117/hollywood-is-ignoring-women-over-the-age-of-45-and-these-experts-know-why#.AB71Umg8P.
Warner, Andrew. “Professors Consider Effects Hollywood Writers’ strike Would Have Caused.” The Daily Bruin (May 2, 2017), https://dailybruin.com/2017/05/02/professors-consider-effects-hollywood-writers-strike-would-have-caused/.
Livick, Bill. “Hill Publishes Book on Hollywood Labor,” Stoughton Courier Hub (February 5, 2017).
Body Parts: A Documentary Feature (dir. Kristy Guavera Flanagan, prod. Helen Hood Scheer) – Currently In Production (2017-present)
Women’s Media Center and SheSource Database (Areas of expertise: Media Studies, History, Women’s Production History, Labor History). (2015-present).
Netflix (via study conducted by Luce Research/Republic) – Current TV and Film Industry Trends, True Crime Genre (2020-2021).
A Discussion of Be Natural: The Untold Story of Alice Guy-Blaché, Presented By Netflix and the Producer’s Guild of America Women’s Impact Network Panelist, Netflix/PGA, March 2020. Cancelled due to COVID 19.
Story Analyst (current - 2001-present)
Encoder/Film Vault Librarian
Researcher
Executive Assistant, Assistant (aka Grunt Work)
Assistant Professor 2019-Present
University of California, San Diego – Department of Communication
Visiting Lecturer 2018-2019
Occidental College – Department of Media Arts and Culture
Visiting Lecturer 2014-2019
University of California, Los Angeles – Department of Film, Television and Digital Media
Visiting Lecturer 2014-2016
Dartmouth College – Foreign Studies Program, Semester in Los Angeles
Comm 106F: The Film Industry
Comm 106T: Television, Culture and the Public – Comedy on TV
Comm 106V: History of Broadcasting
Comm 132: The Politics of Comedy in the Media
Comm 146: Production Cultures – Investigating Contemporary Labor and Production Practices in Media Industries
Comm 190: Junior Seminar – The Self and the “Other” in Science Fiction
Comm 296: Communication Research as an Interdisciplinary Activity
Occidental College – Media Arts and Culture Department – Visiting Assistant Lecturer
UCLA – Cinema and Media Studies Program, Producing Program
Cal State Long Beach – Film and Electronic Arts – Part-Time Faculty
Santa Monica College – Communication and Media Studies – Part-Time Faculty
The New York Film Academy – Literature, Science and the Arts Faculty
Dartmouth College – Foreign Studies Program – Visiting Lecturer
Cal State Los Angeles – Television and Film Department – Visiting Lecturer
UCLA Cinema and Media Studies, Communication and English Depts. – Teaching Fellow
Media Industries Graduate Seminar (Prof. Alisa Perren) – UT Austin (2018, 2019)
Analyzing Media Industries Graduate Seminar (Prof. Dan Herbert) – University of Michigan (2019)
Critical Cultural Analysis Graduate Seminar (Prof. Nick Marx) Colorado State University (2019)
Never Done: A History of Women’s Work in Media Production. New Brunswick: Rutgers, 2016.
“Organizing ‘Women’s Work’: Logics of Feminization and Unionization,” In Hollywood Unions anthology, Kate Fortmueller, Luci Marzola, Eds. (Rutgers University Press, Forthcoming, 2022).
“Re-Casting the Casting Director.” In Making Media Work: Cultures of Management in the Entertainment Industry. Eds. Derek Johnson, Derek Kompare and Avi Santo. New York: NYU Press, 2014.
“Distributed Assistanthood: Dues-Paying Apprentices.” The International
Encyclopedia of Media Studies: Media Production. Ed. Vicki Mayer. Oxford: Blackwell, 2012.
“‘What’s Afflictin’ You?’: Corporeality, Body Crises and the Body Politic in Deadwood.” In Reading Deadwood. Ed. David Lavery. I.B. Taurus: 2006. pp. 171-183.
“Both Sides of the Fence: Blurred Distinctions in Scholarship and Production - Hollywood Assistanting, Erin Hill.” Invited contribution to portfolio of interviews Production Studies: Cultural Studies of Media Industries. Eds. Vicki Mayer, Miranda Banks, and John T. Caldwell. London: Routledge, 2009.
“MGM’s 1925 Studio Tour and Promotional ‘Tours’ of Labor in Early Hollywood,” In Media Res, “Making-of” Theme Week,” September 17, 2018, http://mediacommons.org/imr/.
“Ida Koverman and the Unsung Women Heroes of Film History,” Lenny Letter, January 25, 2017, http://www.lennyletter.com/culture/a702/she-damn-near-ran-the-studio/.
“The Gendering of Film and Television Casting: A Research Notebook.” CSW Update . April 2011. http://www.csw.ucla.edu/publications/newsletters/2010-2011/april-2011-1.
Co-authored with Brian Hu. “HBO’s Cinematized Television.” Mediascape. Fall 2009.
http://www.tft.ucla.edu/mediascape/Fall09_HBOTV.html
Hill, Erin. “Secretaries, Stenographers and Assistants: A report funded by the California Women’s Law Center.” Los Angeles, CA, 2007.
Co-authored with Brian Hu. “In Response to the AFI: Top 100 American Films by Women Directors.” Mediascape. Spring 2007. http://www.tft.ucla.edu/mediascape/archive/volume01/number03/reviews/hillhu.htm.
“Studio Tours: Feminized Labor in the Studio System” Frauen Und Film German (German language excerpt from Never Done: A History of Women’s Work in Media Production). Current Research Methods within Production Studies, Frankfurt: Stoemfeld Verlag (Heft 69, 2021).
“Paper Trail: Efficiency, Clerical Labor, and Women in the Early Film Industry” (book excerpt, German translation) Produktionskulturen der Medien. Berlin: Springer Verlag. Forthcoming.
“Migrant Proximities: Racialized Labor Below-the-Line in 20th Century Hollywood.” Respondent. Society for Cinema and Media Studies. Denver, Colorado, 2020-2021. (CANCELLED IN 2020 DUE TO COVID 19, took place at 2021 mtg)
“The “D-Girl” in New Hollywood: The Rise of the Female Development Executive and the Personal and Professional Costs of Feminized Origins.” Society for Cinema and Media Studies. Seattle, WA. 2019.
“Feminized, Freelance and Free: Development Labor from Studio Era to Gig Economy.” Media Industries Conference. London, UK, 2018.
“Workshop: Back to the Future - Historical Perspectives on the Contemporary Media Industries and Cultures of Production.” Society for Cinema and Media Studies. Chicago, IL. 2017.
“Feminized Labor in the Story Department.” Society for Cinema and Media Studies. Atlanta, GA. 2016.
“Film and Television Development as ‘Women’s Work,” UCLA Institute for Research and Employment's Annual Conference on Entertainment, & Sports. Los Angeles, CA. 2015.
“Script Girls and Cutter Girls: Women in the Space of Play.” International Communications Association Conference. Seattle, WA. 2014.
“Gendered Labor Sectors of Media Production” Media Industries Research. USC Annenberg School for Communication and Journalism. Los Angeles, CA. 2013.
“Workshop: Strategies for Researching and Writing Media Industry Studies.” C0-Chair
(with Jennifer Porst). Society for Cinema and Media Studies. Boston, MA. 2012.
“Blogfights, Flamewars and Me: Understanding Media Industries Through Online
Skirmishes.” Society for Cinema and Media Studies. Boston, MA. March 2012.
“Managing Media Production in the Age of Convergence.” Roundtable Panelist. Flow Television
Conference. Austin, TX. 2010.
“The Gendering of Film and Television Casting.” Console-ing Passions Eugene, OR. 2010.
“The Gendering of Film and Television Casting.” Society for Cinema and Media Studies. Los Angeles, CA. 2010.
“The Gendering of Film and Television Casting.” Thinking Gender. Los Angeles, CA. 2010.
“The Girl Friday and How She Grew: A History of Assistants to Media Makers.” Console-ing
Passions. Santa Barbara, CA. 2008.
“Space and Place in World of Warcraft.” Society for Cinema and Media Studies. Chicago, IL. 2007.
“Academic Publishing in the Digital Age.” Panelist. Flow Television Conference. Austin, TX. 2006.
“Women’s Work: Femininity and Casting.” Console-ing Passions. Milwaukee, WI. 2006.
“‘Get That!’: The Real and Imagined Pleasures of the iPod and the Tivo DVR.” USC/UCLA Critical
Studies Graduate Student Conference. Los Angeles, CA. 2006.
“Women’s Work: Femininity and Film and Television Casting.” Panel Chair. Society for Cinema and
Media Studies. Vancouver, BC. 2006.
“Women’s Work: Femininity and Film and Television Casting.” USC/UCLA Critical Studies
Graduate Student Conference. Los Angeles, CA. 2005.
“Women’s Work in Media Production History.” USC Cinema and Media Studies Graduate Student Association. (2018).
“Maps and Marginalia: Historicizing Women's Creative Labor in Media Production,” Institute of Media Culture and Theatre (University of Cologne) / Grimme Institute. Invited talk. (2019).
“Maps and Marginalia: Historicizing Women’s Creative Labor in Media Production,” Columbia College Feminism and Film Series. (2019)
“Women’s Work in Media Production History.” UCLA Cinema and Media Studies Graduate Colloquium (2018).
“The History of Women in Hollywood Production.” Santa Monica College Media Studies Speaker Series (2017).
“Feminization and Media Production.” UCLA CMS Fest (2016)
Mediascape: UCLA’s Journal Of Cinema and Media (2005-2007)